摘要
吉恩·瑞斯的代表作《藻海无边》中的西印度"属下"们是否发声问题一直是瑞斯乃至后殖民小说研究领域争论的焦点之一。本文试参与这场学术争鸣,分析并论证"属下"们如何以各种方式抵抗殖民霸权从而发出了自己的声音。由于"阈限空间"内部存在的差异,他们的声音表现出多样性的特征,但作为一个整体,这些声音构成了一种强有力的后殖民抵抗话语。
It has been a focus of argument among Jean Rhys critics, even in the field of Postcolonial studies, whether the West Indian "subalterns" in Wide Sargasso Sea can speak for themselves. This paper endeavors to participate in this debate and argue that the "subalterns" manage to articulate themselves through various ways. Due to differences within the "liminal space," they speak with not one but multiple voices. As a whole, these voices constitute a strong Postcolonial counter-discourse.
出处
《当代外国文学》
CSSCI
北大核心
2009年第1期125-132,共8页
Contemporary Foreign Literature
关键词
《藻海无边》
后殖民
抵抗话语
混杂
Wide Sargasso Sea, Postcolonial, counter-discourse, hybridity