摘要
"重构象数"是《太玄》赞《易》的主要方法,扬雄由此开创了"以三为本"的玄数系统、"象应于数"的取象法则,其学说渊源主要为"老子生成说"、"天文历法说"、"自然音律说"、"阴阳五行说"。这一"综合性创新"的象数构建,注重《太玄》象数研究的宋明思想家以"是否合《易》"为标准,对其评判也是毁誉参半,赞同者认为《玄》《易》"道同法异",互为补充;批判者则立足《玄》《易》义例差异,责《玄》缺陷。
Reconstructing image-numberology is the main approach for Tai xuan （the Great Mystery ） to the Yi, by which its author YANG Xiong （53B. C. - 18A. D. ） created a numerical system of ＂beginning with the number 3＂ and an analogical rule of ＂correspondence between image and number＂. YANG＇s theoretical source is mainly based on Lao Zi＇s generating and completion theory, contemporary astronomic and calendrical theory, natural pitch-pipes and musicology, as well as Yin-Yang and Five-Element theory. This reconstruction, a comprehensive creation, did not receive a unanimous assessment from those Song and Ming thinkers who paid concerns to Tai xuan＇s numerology by whether it accords with the Yi. The favorers believed Tai xuan shares the same Dan with the Yi in spite of the fact that they take different approaches, they are therefore complementary to each other; whereas eriticizers blamed Tai xuan for its paradigm different from that of the Yi.
出处
《周易研究》
CSSCI
北大核心
2008年第6期18-26,共9页
Studies of Zhouyi
关键词
重构象数
以三为本
象应于数
象数得失
reconstructing image-numberology
beginning with the number of 3
image corresponding to number
image-numerological gain and loss
