“传统”的延伸与创新——钢琴曲《二泉映月》的文化学思考

The extension and the innovation of "Traditional" Cultural Reflections on the Piano music "Er Quan Ying Yue"

《二泉映月》是中国传统乐曲中最具代表性的作品之一,而储望华先生的钢琴改编曲《二泉映月》则为它成功地拓宽了传播与发展的空间,并以其多声性而在中国钢琴音乐文献中占据一重要地位。本文以这首改编曲为研究对象,探析改编曲在传统乐曲基础上进一步拓展表现,其中涉及到原作产生时代文化背景及音乐艺术创作的审美特征等内容,试以论述中西方音乐结合的成功之处,从而得到在新的历史时期弘扬中国传统音乐文化的重要启示。

＂Er Quan Ying Yue＂ is one of the most representative works of traditional Chinese music. Mr. Chu Wanghua recomposed the Piano music Er Quan Ying Yue＇. It successfully broadens the dissemination and development space, and the sound of its multi--piano music occupies an important position in Chinese piano literature. Based on the study of the piano music, this article tries to analyze the expanding performance of the rearrangement of traditional music, which involves the cultural background which produced the original music and artistic creation, aesthetic characteristics. Through the description of successful combination of Chinese and western music, hopefully, Chinese traditional music culture can be carried forward in the new historical period.