朱权的戏剧学体系及其评价

Zhu Quan's Theory of Drama

朱权把散曲、戏曲纳入礼乐建设之中,建立起散曲、剧曲与乐府一体观;将曲韵、曲谱、声乐与唱论纳入戏曲音律学体系,促进北曲走向格律化;又对三家之唱、杂剧十二科、十五体与二百零三个格势进行聚类批评,建立起曲品式批评体系。朱权的曲学体现了浓郁的藩王意识与曲学初创时期的特色。

Zhu Quan proposed a theory of qu-verses, local operas and Yuefu songs as in the same framework by integrating qu-verses and local operas into construaction of li yue （rites -music）, and contributed greatly to the formalization of northern opera by integrating studies of rhymes, scores, vocality and singing into the phonological system of traditional Chinese operas. He also built up a critical framework similar to Qu Pin by classifying and commenting on singing methods of the Confucian, Taosit and Buddhist traditions, 12 types of performers, 15 genres and 203 writers. His theory is typical of the early stage of the studies of qu and bears a pronounced imprint from his princeship.