马一浮六艺论的人文思想

On the Humanistic Thought of Ma Yifu's Six Classics Theory

马一浮六艺论,核心议题是"六艺该摄一切学术"及"六艺统摄于一心"。笔者认为,前者的理据即在后者。所谓六艺统摄于一心,蕴含三层意义:六艺之道出于一心,六艺之教归本于一心,以及六艺之间兼赅互摄。由此再进一步,乃谓:六艺之本原为一切学术的价值之源。所有学术无不归宗于人心本然之善、性德之真,以成就其终极价值者,此即所谓六艺该摄一切学术。马氏据此引导世人观照六艺之事法界、理法界、理事无碍法界、事事无碍法界。文章指出此乃马氏在人文学思惟上最为精当的洞见,值得关心人文教育的人士据以省思。

The essence of Ma Yifu＇s Six Arts Theory concerns that ＂six arts （ six classics consist of all studies＂ and ＂six arts are based on the righteousness of one＇s mind＂. The author of this paper holds the position that the motivation for the former is in the latter. The idea that six arts are based on the righteousness of one＇s mind has three connotations, that is, the Way of six arts is from the righteousness of one＇s mind; the teaching of six arts is for the righteousness of one＇s mind; and six arts among them- selves can absorb and integrate each other. Furthermore, the origin of six arts is the value source of all studies and all studies are attributed to man＇s good nature and true mind in terms of their final values. This is how ＂six arts consist of all studies＂. Ma Yi- fu used his theory to guide people in understanding Dharma-Realm of six arts： Phenomenon Dharma-Realm, Noumenon Dharma-Realm, Noumenon-phenomenon no obstacle Dharma-Realm, and Phenomenon-phenomenon no obstacle Dharma-Realm. This paper highlights Ma Yifu＇s profound thinking in humanities, which is worthy of further reflection for those who are con- cerned about humanism.