摘要
对台湾电影的研究一直是大陆和海外华语电影研究中较为薄弱的部分。台湾学者、大陆学者、海外学者对台湾电影研究的方向大致可分为史料整理、电影史建构、历史文化批评、艺术形式分析等。其中,台湾学者的研究主要偏向于历史文化经验的书写,大陆学者主要从电影艺术形式、美学特征方面对台湾电影进行探讨,而海外学者在20世纪90年代后大多以台湾新电影作为研究的侧重点。
The approach to the Taiwan film is the weakest in the approaches to the Chinese language film both in the mainland and in the oversea areas. For the scholars who are approaching to the Taiwan film, either from Taiwan or from the mainland or from the oversea areas, their approaches can be partitioned approximately into such sections as the arrangement of historical materials, the construction of film history, the criticism of historical culture and the analysis of artistic forms. While the scholars from Taiwan focus on the writing of historical, cultural experience, the scholars from the mainland, by way of artistic forms as well as aesthetic characteristics, make an approach to the Taiwan film. As for the oversea scholars, after 1990s, they chiefly emphasize the new film in Taiwan.
出处
《上海大学学报(社会科学版)》
CSSCI
北大核心
2009年第1期86-95,共10页
Journal of Shanghai University(Social Sciences Edition)
基金
上海市教委第五期重点学科"电影学"资助项目(B13-0114-07-002)
关键词
台湾电影研究
华语电影研究
民族电影视野
后殖民视野
approach to the Taiwan film
approach to the Chinese language film
perspective of national films
perspective of post-colonialism