景观社会生态中的话语“突击”——电影《色·戒》症候论析

On the Discourse "Assaulting" in Society of Spectacle Ecology——An Analysis of the Syndrome of Film Lust·Caution

电影《色.戒》构成了2007年华人文化圈独特的艺术症候,其中蕴涵着许多含混、悖逆、反常、疑难的内容。它是李安在全球化时代利用景观社会生态展开的一场话语"突击"。一方面,他用"显在的"身体政治话语、后冷战话语、后殖民话语、欲望话语等表达了明晰的思想建构意向;另一方面,他又以"潜隐的"的"沉默"、"空白"与"沟壑"话语方式来规避和解构着某些不便言说的东西;其中彰显"人性"因素是他的话语"突击点"。

The film Lust o Caution forms the unique artistic syndrome in 2007 ethnic Chinese cultural zone, displaying confused, rebellious, abnormal and difficult features. This is a discourse ＂assaulting＂ carried out by Ang Lee through employing society of spectacle ecology in the Era of globalization. On the one hand, he uses ＂visible＂ discourse of body politics, post cold war discourse, postcolonial discourse, and desire discourse etc. to express clear intention of idea construction; on the other hand, he adopts ＂hidden＂ discourses of ＂silence＂, ＂vacancy＂, ＂gap＂ to avoid and deconstruct what is unutterable, in which the element of uncovering human nature is the point of his discourse ＂assaulting＂.