论庄子“与物为春”的审美体验

A Discussion on Zhuang Zi's Aesthetic Experience of "Harmony with Others"

"与物为春"乃是因和谐融洽的物我关系所引发的审美体验。具体而言,它表现为"万物与我为一"与"与物化而不以心稽"。前者意味着主体消解了自我与他物之间、他物与他物之间的人为界限,主体与他物在道的层面泯然相亲。后者意味着主体与他物之间无心的顺应,主体既不以一己意志去主宰他物,亦不因功利关系而迎合他物,物我相宜无逆。庄子与物为春的审美体验,启发了中国艺术精神。

＂Harmony with others＂ is an aesthetic experience derived from a congenial relationship between nature and the self, which is manifest concretely in ＂the unity between all things and I＂ as well as the ＂harmony with others along with the independence of the mind＂. By the former is meant a close resemblance presented by the subject with others in ambitions through the removal of artificially imposed bounds between the self and the others as well as among the others. The latter refers to the natural conformity between the subject and the other, that is, the subject would neither impose his or her will on others nor cater to the other because of material gains so that the subject and the others can live harmoniously with each other. Zhuang Zhi＇ s aesthetic experience of ＂harmony with others＂ has somewhat inspired the artistic ideology of China.