论生态文学——生态文学概念的界定及其在新时期的发展

Eco-literature: Its Definition and Development in the New-era Literature

"自然文学"偏重于写实类作品,而"环境文学"带有人类中心主义倾向,相比而言,生态文学的概念最适合概括新时期以来文学创作中的生态思潮。新时期的生态文学创作,经历了浅层生态文学向深层生态文学的发展历程。以徐刚为代表的浅层生态文学只是停留在生态破坏的揭露层面,本质上还是人类中心主义思维;以苇岸为代表的深层生态文学在艺术上弥补了浅层生态文学的缺陷,是生态文学发展过程中的自我调整。

My paper aims to trace the emergence and development of the concept and development of eco- literature, and then compares it with ＂nature literature＂ and ＂environmental Literature＂. It is found that ＂nature literature＂ focuses on realist works while ＂environmental literature＂ has a tendency of anthropocentrism. In contrast, the concept of eco-literature is the most suitable for abstracting the new-era literature. The eco- literature has developed from superficial to profound. Superficial eco-literature, represented by Xu Gang, is still confined to exposing ecological damage, which is anthropocentric in essence. Profound eco-literature, represented by Wei An, has made up for the shortcomings of the superficial eco-literature, which is actually a kind of self-adaptation in the course of its development.