当前僵化的中国美学走出困境的必由之路——论“审美文化”理论研究的创新性

The Only Way to Move Away from Current Rigescent Chinese Aesthetics in Difficulties——on innovation of "aesthetics culture" theoretical approach

审美文化与民族文化是部分与整体的关系,特定的审美文化从属于特定的文化形态;审美文化的内涵包括群体的共同的审美趣味和审美理想,艺术性的物化产品和日常生活中的审美现象等方面。本文从反传统美学的角度论证了传统美学的重大缺失和根本弊端,并论证了审美文化理论研究具有"开拓新的领域"、"重写美学史"、"新的思维与新的方法"及"创建新的学科"等五个方面的创新性意义。审美文化的理论研究是当下中国美学研究走出困境、走向新生的必由之路。

Aesthetics culture is the composition of ethnic culture. Designated aesthetics culture belongs to designated culture type. The meanings of aesthetics culture include the common aesthetic tastes and aesthetic ideal within one group, arti-fact and aesthetic phenomena in daily lives. This paper explores the defect and disadvantage of traditional esthetics from anti-traditional esthetics. It exposes five original ideas of aesthetics culture study： developing new field, rewriting aesthetics history, developing new thinking and new way, establishing new subject. The conclusion is that aesthetics culture study is the only way for Chinese aesthetics research to move away from difficulties.