海勒小说中戏仿的后现代性

The Postmodernism of Parody in Joseph Heller's Novels

戏仿的共时性和历时性在文学史的各个阶段被成功演绎,并逐渐成为后现代小说的主流范式。海勒作为后现代主义文学的先锋,在他的六部小说中,通过拼贴和对文学形式、历史故事及高深哲学等叙事策略的戏仿,成功诠释了它在后现代语境中的解构性、互文性和颠覆性,有力抨击了美国后现代人的卑微和无助以及社会的混乱和荒诞。

ParOdy has been explored synchronically and diachronically in different literary periods and is especially preferred by the postmodernist writers. As one of its outstanding pioneers, Joseph Heller employs a series of splendid collages, and imitation of conventional narrative forms regarding historical stories and the profound philosophy in his six novels not only to elaborate its postmodemist deconstruction but also to lash out at American crisisridden society and depressed hopeless people.