于坚诗歌论

On Yu Jian's Poetry

于坚诗歌写作的"范式"日臻成熟。于坚诗歌的精神根底是建立在自然之神、大地之子之间的,由此确立其万物之恒、日常之基的重要诗学立场,也由此引发他轻慢意象思维、逃离隐喻,推崇物象、语象,重新命名的美学思想。对应这一切,于坚创制出具有于氏鲜明烙印、独具特色的"切削"方法论———在瞬间或过程中完成"切片"的连续定格,于"反诗"与"返诗"中成就了"于坚体"的基本型构。

Nowadays, Yu Jian＇s mode of writing has been increasingly consummate. The spirit of Yu Jian＇s composing is based on acknowledging the god of nature and the son of the Earth Mother. With this understanding, he establishes his standpoint on the immutability and perpetuation of universe and daily life. He has developed the aesthetics on rejecting the ideal images and metaphors, on the underlining of the images of language itself and trivial things as well as on the renaming of things. Furthermore, Yu Jian has created an individual poetic method termed ＂cutting＂ which means snap shot at the very moment or during the process. To sum up, by anti-poets and returning-to-poets, he has set up the style of Yu Jian.