刘孟伉书法研究综述

The Present Condition of the Research on Liu Mengkang's Calligraphy

文章从五个方面系统梳理了刘孟伉书法研究成果:一是作品研究;二是比较研究;三是人书合一研究;四是分期与影响研究;五是支撑和补充史证基础研究。分析了论者在研究中的创新之处。刘孟伉书法研究的文论较少,一方面反映了针对刘孟伉书法研究的史料相对较少和运用的困难,另一方面也说明人们没有充分认识到刘孟伉书法研究的价值。本文认为,刘孟伉书法研究存在着许多亟待填补的空白,关于刘孟伉书法研究的史料在挖掘和利用上尚存在着较大的空间。

This article systematically analyzes the results of Liu Mengkang＇s calligraphy research from five aspects： works research, comparative research, research on the unity of human and works, studies on the influence of calligraphy in different stages, basic research on support and complement for historical evidence. Furthermore, this article analyses the innovations in author＇s researches. The less disquisitions about Liu Mengkang＇s calligraphy researches, on the one hand indicates the lack of historical records of Liu Mengkang＇s calligraphy researches and the difficulty in using them; and on the other hand, it also shows that people have not fully understand the value of these researches. It is believed in this article that there still remains much work can be done in this field, there is still a larger space for lucubrating and using Liu Mengkang＇s works and researches.