摘要
作为古老的诗学概念,回忆的理论研究具有悠久的历史。20世纪80年代以来,国内回忆研究主要在三个方面展开:对回忆的艺术本体论的阐释,对回忆与审美想象、审美感受、审美创造及审美体验等关系的申述,以及在叙事文本的分析中考察回忆手法的运用及由此产生的美学意味。尽管如此,国内回忆理论研究在理论借鉴、思维创新和研究对象方面需要加以检讨,同时,在文学边界不断扩展、文化研究蔚为大观的新的理论背景下,需要进一步拓展研究视野,从时间与叙事的角度勘探回忆的审美意涵。
As an ancient poetic conception, the theoretical research on memory has a long history. Since 1980, there have been three main perspectives on the research in China： the interpretation of artistic ontology of memory, the explanation of the relation between memory and aesthetic imagination, aesthetic sensibility, aesthetic creation and experience, as well as reviewing the application of memory technique and its aesthetic signification in various narrative texts. Nevertheless, there are still several aspects needed to and research object; at the same time, with new theoretical review, including theoretical reference, thinking innovation backgroud that literary boundary increasingly expands and cuhural study presents a splendid sight, memory＇s aesthetic significance in the perspectives of time and narration should be the new approach in further research.
出处
《四川理工学院学报（社会科学版）》
2009年第1期119-123,共5页
Journal of Sichuan University of Science & Engineering(Social Sciences Edition)
关键词
回忆
时间
叙事
检讨
进路
memory
time
narrate
review
approach
