王维田园诗歌中空山意象的图形——背景分离分析与研究

长期以来,王维(AD701-761)田园诗歌中的意象是文学评论的焦点之一。但以前的研究大多都是从历史文化的角度出发,过分地强调意象的情感功能,将意象视为一种叙事技巧,在其田园诗歌中主要起到象征和暗示的作用,而忽略了从认知语言学角度去考察其田园诗歌中的意象的认知功能。本文将应用用图形——背景分离理论,对于"空山"意象在诗篇中的认知功能加以描绘,并分析意象如何在同一诗歌文本中同其它意象发生互动,从而形成图形——背景分离模式,并构成王维诗歌的"以画入诗"的整体布局。

For quite a long time, the images in Wang Wei＇s pastoral poetry have been the focus of literary criticism. Most of the researches overstress the emotional functions of images by considering the image as a narration means which performs as symbols and hints in the pastoral poetry from the historical and cultural perspective, but fail to investigate the cognitive functions of the images fi＇om the perspective of cognitive linguistics, The cognitive functions of the ＂VOID MOUNTAIN＂ image in the poems are represented in terms of the segregation theory. The analysis will be done on how the image interacts with other images in the same poem to form figure-ground segregation patterns and on Wang＇s holistic poetic layout of ＂Picturesque Embodiment in Poetic Composition＂.