摘要
吴组缃二十世纪三四十年代散文创作的一个突出特点是:作散文,以"人物"为中心。其散文常常通过化"圆型人物"为"扁形人物"、人物细节描写等方式刻画出生动传神的人物形象。这一特点的形成,既是其强化散文社会使命感的结果,同时也是现代文坛"综合的艺术"的大氛围使然。
Wu Zuxiang 30s -40s' prose creates a prominent characteristic is: makes the prose, take "the character" as the center. Its prose passes "the circle character" is frequently "the sector character", ways and so on character detail description portrays the vivid expressive character image. All this is due to his responsibility to the society, to the air in the circle in China.
出处
《安康学院学报》
2009年第1期63-65,共3页
Journal of Ankang University