改编伦理、历史重构与先锋性——关于话剧《霸王歌行》的几个问题

Reorganizing Principles,Reconstructing History and Pioneer: On the play The Story of Overlord

话剧《霸王歌行》是一部改编剧、历史题材剧和先锋探索剧。该剧遵循了改编伦理,完成了从小说到话剧的跨文本艺术形态转换;以对历史源文本的想像性阐释,完成了对历史的重构;在舞台呈现和叙事方式,尤其是文化立场和诗性精神方面,又体现出鲜明的先锋性。在话剧艺术日趋边缘化的时代,《霸王歌行》具有着独特的意义与价值,营构了较大的艺术思考的空间。

The Story of Overlord,which is adapted from a novel,is a historical play with pioneer exploration. It succeeded in transforming the novel into a play by the reorganization of principles,reconstructing the history by the imagination of the historical text and showing the distinct pioneer in the fields of cultural stand and poetic spirit. It plays an unique role in the present time that the play is on its marginalization.