摘要
汉代经学思想统治地位确立后,赋家在创作上有意识地靠近经学,期望以此提高大赋的政治地位和功能。但作为主要接受对象的帝王对大赋娱乐休闲的期待视野有意无意地阻滞了它的经学化努力。这个矛盾呈现出的表象就是汉大赋讽谏创作目的和接受效果的背离。因此,对汉大赋受到经学的程度我们应慎重结论,特别不应过分夸大汉赋的经学化。
After the dominant position of the study of Confucian classics was determined in the Western Han Dynasty,writers of Fu (ode) consciously tried to get close to it in their writing,hoping to enhance Fu's political position and function. However,the monarchs,as the main receptors of Fu,expected it as a means of entertainment and demolished this effort consciously or unconsciously, causing the separation of the writers" intention and the monarchs" acceptance. In this sense, we should carefully judge the effect of the study of Confucian classics on Fu in the Western Han Dynasty, especially not exaggerate the effect of it.
出处
《吉首大学学报(社会科学版)》
2008年第5期81-85,176,共6页
Journal of Jishou University(Social Sciences)
关键词
汉大赋
经学
帝王
接受
Fu (ode) in the Western Han Dynasty
the study of Confucian classics
monarchs
acceptance