摘要
渗透在哈默休伊每一个画面当中的光影,都同时隐藏着又揭示着某种内在的情感。而另一位同样来自北欧的艺术家德莱叶也被这样的光影所吸引,进而在自己的电影场景照明当中延续了哈默休伊的风格,并通过场景中流露出的情感将角色的灵魂栩栩如生地表达出来。
HammershФi is the painter of contained emotions, where the magical light, permeates each of his scenes, has been touched by these rays, has been another artist, Dreyer, Nordic too, which has led every scene of his film as a succession of frames of HammershФi's impressions and has set up an animated soul to his characters where emotions flow with a nakedness that impresses.
出处
《世界建筑》
2009年第1期68-71,共4页
World Architecture