《舞台姐妹》:作为电影经典的生成机制及其历史命运

As Movie Classics:The Generative Mechanism and Historical Fate of Stage Sisters

《舞台姐妹》是谢晋"最动感情"的一部影片。从故乡戏曲到民族征象,"越剧"以其动人的情感力量和精巧的结构方式,成为《舞台姐妹》的影音载体与精神内核,并散发出永不消磨的美丽与魅力;当然,由于政治因素的干预,影片中的"小舞台"与"大舞台"也不可避免地存在着概念化地图解政策的嫌疑,但对哲理性的寻求,使谢晋及其《舞台姐妹》在一定程度上超越了个人,也超越了时代;而从感情之"变"到命运之"变",《舞台姐妹》中的"姐妹",蕴涵着更加丰富复杂的信息,使影片成就为一部中国电影史上常看常新的经典。《舞台姐妹》的生成机制及其历史命运,不仅是其导演生涯声情并茂、跌宕起伏的篇章,而且是中国电影史风云变幻、令人深思的传奇。

Stage Sisters is a movie of ＂most passion＂ directed by audio and video carrier and spiritual core have strong emotional Xie Jin. Based on ＂Yue Opera＂, a country drama, the movie＇s strength and deliberate structural form, which became a national representation. Needless to say, the interruption by the political elements really branded the conceptualization, which illustrated the policy by ＂Minor-Stage＂ and ＂Major-Stage＂ in the movie inevitably. Nevertheless, the philosophical pursuit, to some degrees, made the movie Stage Sisters transcend the individual and even the time. The plenty and complicated information concealed in change of ＂emotion＂ and ＂destiny＂ and in the couple of ＂sisters＂ made Stage Sisters a classic in the history of Chinese movie, which always has new implications. The generative mechanism and the historic fate of Stage Sisters explains not only an emotional chapter in the director＇s real life but also a changeable legend in the history of Chinese movie.