摘要
艺术家的成功大都可以归结为个性化符号的确立,而符号化现象又使得艺术符号走向了泛符号状态。长期以来,对此存在着认识上的模糊,本期批评家们就这一现象分别从创意与创形、空洞化程式等方面展开讨论,以试对此问题有进一步的认识。
An artist' success can be attributed in some way to the establishment of personalized symbols,and symbolization could have pushed the implication of artistic symbols towards the status of pan-symbolism.For a Ion.q time,there is a vague understandin.q on this regard.In this issue,the critics carry out discussions of this phenomenon from the aspects of the creation of ideas and the creation of forms,hollow-hearted stylization and so on,in order to .qain more understanding on this topic.
出处
《雕塑》
2009年第1期54-56,共3页
Sculpture