摘要
藏地佛塔林立,形态多样的塔建筑为脱模浮雕艺术"擦擦"提供了制模的原形,同时也刺激了"擦擦"的发展,不仅有丰富多变的内容与样式,而且从古至今广泛流传。"擦擦"模拟着塔的外形,同时也容纳了塔的实质意义,并随着历史的发展及信仰的需要而不断的发展变化。
All kinds of pagodas in Tibet have not only provided the original forms for the cast-relief art "Tsha-tsha", but also stimulated its development.The art of "Tsha-tsha" is abundant in contents and forms,and has been widely circulated in Tibet from the ancient times up to now."Tsha-tsha" also simulates the forms of the pagodas, as simulates their essential meaning,and develops continuously with the needs of historical change and faith.
出处
《雕塑》
2009年第1期60-61,共2页
Sculpture
关键词
擦擦
佛塔
佛意
艺术
Tsha-tsha,pa.qodas,cast-relief,art