摘要
当代艺术中的展览空间是展览设计中新的领域,而当代艺术作品的多样性及其自由、丰富的表现手法则往往是建筑师的设计灵感的源泉。当建筑师参与展览设计的时候,如何展示空间的艺术性成为建筑师首要考虑的问题。氛围,作为新的空间艺术性的语汇在这样的情况下被提出,然后慢慢被发展为一种新的建筑理论,一种对空间艺术性的描述。以"感河"(Mood River)展览为例,试图对氛围的空间理论和运用进行阐释。
Contemporary art exhibitions require a new form of space to display art pieces, which has been a new subject for exhibition space design. The various styles and techniques of contemporary art always inspire architects. As a result, how to generate artistic spatial quality in the exhibition space becomes essentially important for architectural design. The term, atmosphere, was introduced in this context, then later gradually being developed as a new kind of architectural theory, which defines spatial characteristic. This article tries to use the "Mood River" exhibition as an example to discuss the atmosphere theory and its implementation.
出处
《新建筑》
2009年第1期30-35,共6页
New Architecture
关键词
氛围
空间状态
展览空间
atmosphere, mood, exhibition space