摘要
写人即刻画人物性格,是文学的中心任务,也是戏剧的重要工程。女权主义文论主张,写人必须显示性别,人具有"双性特征"。郭沫若是女权主义的赞同者,他的历史剧在塑造人物方面,具有鲜明的性别特征,具体包括两大类,即刻画单性主导型男女人物,刻画双性显著型男女人物。这种以性别为纲刻画人物性格的工作,总体是成功的,也有少量失误。
Depicting characters is a key task of literature and play. The feminist literary theory proposes that characters display gender features, despite their "double-gender" in human. Guo Moruo approves the feminism and creates a number of distinctive charaeters in his historical plays. His characters are portrayed in two categories: one-gender dominant characters, and double-gender characters. This way of characterization based on the frame of genders is mostly successful, except for few failures.
出处
《西华大学学报(哲学社会科学版)》
2009年第1期31-35,共5页
Journal of Xihua University(Philosophy & Social Sciences)
关键词
郭沫若
历史剧
人物塑造
性别特征
Guo Moruo
historical plays
characterization
gender characteristics