摘要
从新的知识立场重审伤痕文学已成为新时期文学研究的一个新空间,但人们多探究伤痕文学与文革文学在叙事形态上的相近性,而伤痕文学摆脱文革文学模式并成为新时期文学序幕的社会原因并未获得充分研究。从文学的社会生产角度看,伤痕文学是党的文艺路线调整的结果,它逐步实现了文学政治意识形态叙事向个人叙事的转型,逐步完成了跟文革文学叙事风格的历史断裂,从而拥有了自我的当代文学史的特质及意义。
It has been a new space for the literature study in the new period to recall the wounded literature from the point of new knowledge. The proximity of the narrative form between the wounded literature and the Cultural Revolution literature was studied normally, but the social reason for getting rid of the mode of Cultural Revolution literary and becoming the prelude to the new period literature hasn 't been adequately studied. On the view of literary social production,the wounded literature is the result of the party's policy of literature and art adjustment. It gradually turns the literary political ideology narration to the personal narration, achieves its fracture with the Cultural Revolution literature in the narrative style, and owns self-characteristic and significance in the history of the contemporary literature.
出处
《武汉理工大学学报(社会科学版)》
CSSCI
北大核心
2009年第1期142-146,共5页
Journal of Wuhan University of Technology:Social Sciences Edition
关键词
伤痕文学
文革文学
文艺路线调整
文学史特质
wounded literature
Cultural Revolution literature
policy adjustment
history characteristic