“正是终有一死者更早达乎深渊”——海德格尔诗人之天命观刍议

"Does Precisely the Poet as 'Dasein' Arrive at the Metaphysical Abyss Early?"——A Research on the Poet Heidegger's Destiny View

海德格尔的诗人之天命观是其诗学领域中的一个重要维度,内含着诗人之"世界"、诗人之"返乡"及诗人之"倾听",隐含着对传统艺术理论的反动和纠正,蕴涵着哲学与诗学的融通。关注诗人之天命,旨在以"它者"的视角,消解传统艺术理论中对创作主体认知的僵化和凝固。

Poet Heidegger＇s destiny view is an important content in his poetic domain, which contains the poet＇s ＂world＂, his ＂Heimkunf＂ as well as his ＂listening to das Heilige＂. It also contains the reaction to and the correction of traditional art theory, simultaneously reflecting the communication between philosophy and poetics. Attention to the destiny of the poet aims at eliminating by ＂its＂ point of view the poet＇s ossified understanding of the traditional art theory on the creating subject.