摘要
"文革"之后,少数民族儿童文学作家深感责任之重,写出了"左"禁锢对是非的颠倒、对童心的戳伤。上世纪80年代,民族儿童文学转向儿童多样的审美心理需要,更重视新时代少儿形象的个性刻画。上世纪90年代,作家们从新社会形态来观察和感觉民族生活的变迁,使民族儿童文学表现范围明显扩大。本世纪,面对全球化,民族儿童文学作家却以冷静的目光审视社会前进,作品呈现出对民族精神文化的探求。现代性其实就洇透于民族性中。
After "Culture Revolution" authors of minority children literature felt the strong responsibility and put forward that "ultraleft" confinement distorts the truth, hurts the heart of children. Since 1980s, minority children literature has transferred to meet the demands of varied aesthetic psychology of children, to pay more attention to create personality of children in the new time. Since 1990s, authors began to observe and feel the change of minority people life from the view of social formation to enlarge obviously the representing range of children literature. Since this century, facing with globalization, authors judge calmly the social development to create the works expressing the pursuit of minority spiritual culture. In fact modernism exists in nationalism.
出处
《昆明学院学报》
2009年第1期25-30,共6页
Journal of Kunming University
关键词
改革开放
少数民族
儿童文学
文学创作
文学发展
艺术创新
reform and open up
minority
children literature
literature creation
literature development
art rennovation