摘要
明代昆曲改革家魏良辅在其曲语名篇《曲律》中,对昆山腔的声律、唱腔、板眼、音韵、伴奏、演唱、练习等诸多方面进行了全面论述,是我国昆曲艺术的珍贵文献。他的曲语理论不仅成为昆曲演唱表演的引导性基本原理,同时对我国民族声乐的演唱、教学提供了重要启示。
The Kunqu opera reformer Wei Liangfu of the Ming Dynasty gave a comprehensive discussion in his Qulü, involving music, singing, meter, rhyme, accompaniment, acting, and practice. His theory became not only a guiding basic principle for Kunqu performance, but also revelations for Chinese traditional singing and its teaching.
出处
《音乐艺术(上海音乐学院学报)》
CSSCI
北大核心
2008年第4期103-107,共5页
Art of Music(Journal of the Shanghai Conservatory of Music)