从“性情之正”到“文”、“道”之争——徐复观文艺思想再探

From Correctitude of Disposition to the Arguement between Confucianism and Daoism An Reanalysis of Xu Fuguan's Literary Thought

"心性"之学是中国当代新儒家哲学思想的核心,将"心"的文化与"心"的艺术之间的障壁打通却是徐复观的独创。他在阐明艺术价值的根源和艺术创造的关键基础上,又从艺术创造主体角度对艺术的真谛进行了人性主义的阐释。其要点有二:一、艺术家人格修养的层级性决定着艺术创造中价值、意味发现的层级性,艺术个性化的前提乃在作者能得"性情之正"而不仅仅是"性情之真";二、"文"与"道"之争是个常论常新的话题,而"专制制度"才是文艺发展的最大障碍。

The study of ＂the nature of mind＂ is a core issue in the neo - Confucian philosophic thought. Xu Fuguan connected culture of mind with art of mind with his unique creative mind. He elaborated the origin of literary value and the important fundament of artistic creation, and further gave an humanistic explanation of the essence of art from the view of artistic creative subject. This thought has two features ： The personality of the artist is determinative in his artistic creation so the premise of an artist＇ s artistic individuality is his correctitude of disposition rather than the truthfulness of disposition. Furthermore, argument between Confucianism and Daoism in literary area is a resourceful topic while the ＂dictatorship＂ is the biggest barrier of literary development.