摘要
歌剧《阿依达》充分体现了威尔第继承与创新的辩证思维和独特的音乐审美趋向,展示了新的歌剧创作风格。该文分析了威尔第对歌剧的形式和结构等问题的新设想和独到的美学观点,他把歌剧美学因素和观众的审美情趣融合在一起,以审美范畴的悲剧性引发人们对战争、社会、人生和爱情等深层次的思考。
Opera Aida fully reflects the Verdi inheritance and innovation of dialectical thinking and u- nique musical aesthetic trends, showing a new opera style. This paper analyzes the opera in form and structure, his new ideas, unique aesthetic point of view. It also studies how Verdi combined the opera aesthetic factors with the aesthetic interests of the audience, calling up people' s thinking over the tragic aesthetic aspects of war, social, life and love, etc.
出处
《韩山师范学院学报》
2008年第5期100-102,共3页
Journal of Hanshan Normal University
关键词
继承与创新
美学因素
审美趋向
悲剧性
inheritance and innovation
aesthetic factors
aesthetic trends
tragic