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论安·瓦尔德曼的表演诗歌 被引量:3

On Anne Waldman’s Performance Poetry
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摘要 本文旨在系统考察当代美国著名表演诗人安·瓦尔德曼的表演诗歌。她的表演诗歌源于她的诗歌表演,又随着诗歌表演走向成熟。瓦尔德曼表演诗歌体现了突出的表演性,其口头表演特征同时也体现在诗歌的纸质文本中。作为一种诗歌样式,她的表演诗歌展示了一种"耗散结构"美学模式,同时表现了诗人强烈的女性主义观和以多元化为核心的社会文化理想。 This essay is aimed at a systematical exploration to the performance poetry of Anne Waldman, a leading performance poet in contemporary America. Her performance poetry takes on a striking performative quality, which, in turn, is embodied in the text on page. As a poetic genre, her performance poetry demonstrates an aesthetic mode of "dissipative structure," and as well the poet' s dynamic feminist view and her socio-cuhural ideal characterized by plurality.
作者 罗良功
出处 《外国文学研究》 CSSCI 北大核心 2009年第1期95-103,共9页 Foreign Literature Studies
关键词 安·瓦尔德曼 表演诗歌 诗歌表演 耗散结构 Anne Waldman performance poetry poem performing dissipative structure
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参考文献14

  • 1Cixious, Helene and Catherine Clement. The Newly Born Woman. Trans. Besty Wing. Minneapolis : U of Minnesota P, 1986.
  • 2Hamilton, Ian. Oxford Companion to 20th-Century Poetry. Shanghai: Shanghai Foreign Language Education Press, 2000.
  • 3Ricci, Claudia. Anne Waldman: A Profile. Writers Online Magazine 1.2 ( Fall 1996) 2 Feb. 2009 < http:// www. albany. edu/writers -inst/olvln2. html#waldman >.
  • 4Shankar, Ravi. "A Convel'sation with Anne Waldman. " The Quarterly Conversation 12 ( Summer 2008).
  • 5Waldman, Anne. Fast Speaking Woman. San Francisco, CA: City Lights Books, 1996.
  • 6Waldman, Anne."Heart/Breaks/of Rubble. " Our Common Sufferings: Anthology of World Poets in Memoriam 2008 Sichuan Earthquake. Ed. Nie Zhenzhao and Luo Lianggong. Shanghai: Shanghai Foreign Language Education Press, 2008. 230 - 39.
  • 7Waldman, Anne.In the Room of Never Grieve. Minneapolis, Mn: Coffee House Press, 2003.
  • 8Waldman, Anne.Outrider. Albuquerque, New Mexico: La Alameda Press ,2006.
  • 9Feb. 2009 < http ://en. wikipedia, org/wiki/Performance_poetry >.
  • 10Keith Taylor,Anne Waldman: A Force of Nature, March 2002 < http ://arborweb. com/articles/anne_waldman. html >.

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