泛戏剧时代的观念与实践

Ideas and Practice in the Age of "General-drama"

作者就半个世纪以来的纯戏剧观与泛戏剧观的四次理论研讨,予以了大致回顾和总结,认为讨论的总趋势在与对于泛戏剧观的呼唤和实践。20世纪以来,中国戏剧文化史朝着泛戏剧的方面持续推进,并呈现出艺术品性的四重模糊状态。这种推进到了世纪之交之后,通过多媒体戏剧的方式得到了进一步扩展和升华。一些边沿性的戏剧形态例如外语戏曲、票友戏剧和学生演剧,电视剧和超女秀等文化现象,应该得到更大程度上的关注与重视。

The present article reviews and summarizes the four theoretical discussion on pure - drama and general - drama in the past 50 years, and believes that the whole tendency of the discussions is the call and practice of general - drama ideas. Since the beginning of the 20th century, the history of Chinese drama culture has been progressing toward general - drama and manifests itself in quadruple fuzziness of the artistic characteristics. Since the turn of the century, the progress has been broadened and lifted by means of multi - media drama. Some marginal dramatic forms, such as the Xiqu opera in foreign languages, fans＇drama, students＇drama, TV serials and Super Girls Show, should be emphasized in a greater sense.