摘要
新媒体艺术贵在其"新"、其"奇",具有陌生化的特性,具体表现有艺术家反常化思维及其作品中艺术手法的创新,如拼贴、仿真、拟像等数字化技术应用,这些构成了新媒体艺术不同于传统艺术的奇观性。对此,学者们已有不少论述。但对新媒体艺术的另一面——日常性品格,也就是它的现实生活根基,学术界重视不够。在全面考察新媒体艺术的存在方式时应该将其陌生化与日常性特点结合起来辩证剖析,因为二者表面看似矛盾而实则共存于新媒体艺术中。
The important characteristic of new media art is its newness and strangeness. That is to say, it has the trait of Defamiliarization. This is specifically represented through abnormal thoughts of artists and innovations of means of artistic expression in works. The means of innovation include mosaic, simulation, simulacra and so on. These are the marvelous spectacle of new media art in contrast with traditional art. Now the scholars have studied much in this respect. But the other characteristic of new media art, namely, ordinariness, hasn't been paid much attention by scholars. The existence of new media art cant depart from real life. When we totally investigate the mode of existence of new media art, we should dialectally analyze the two aspects because they seem to contradict with each other from the surface, but actually unity in the same work.
出处
《艺术百家》
北大核心
2009年第1期154-157,共4页
Hundred Schools In Arts
基金
国家"211工程"三期"艺术理论创新与应用研究"项目阶段性成果之一
关键词
新媒体艺术
美学特征
日常性
陌生化
统一
new media art
Defamiliarization
Ordinariness
unity of opposites.