唐五代宫廷诗僧群体诗风的流变

The Poem Style's Evolution of the Poem Monk Community Who Lived in Tang Dynasty and Five Dynasties' Imperial Palace

中唐以前,宫廷诗僧群体的主体是以玄奘为代表的高僧型诗僧,他们与帝王相互借重,诗文酬唱成了他们宣讲佛理的方便法门。他们的诗歌创作或追求"奇挺"、"藻锐",或倡导通俗化,或凸显生命意识,对唐诗产生了重要的影响。至中后期,随着佛教地位的下降和诗僧群体整体素质的下降,宫廷诗僧多以诗、书、画等外学立足。他们多痴迷诗艺,注重苦吟,使唐末五代成为贾岛式的"苦吟时代"。

Before the Middle Tang Dynasty, the main body of the poem monk community who lived in Tang Dynasty and Five Dynasties＇ imperial palace was the eminent monks as Xuanzang. The relationship between them and the emperors was mutually relying on, and writing was their way to publicize Buddhist doctrine. They advocated Qiting and Zaorui, promoted poet＇s popularizations, and relegated works reflected the conscious of life. All of them influenced Tangshi and Tang I^nasty＇s poem. After the Middle Tang Dynasty, with Buddhist＇s position and the qualpoem monk＇s quality coming dowm, the poem monk community who lived in Tang Dynasty and Five Dynasties＇ imperial palace was those who were good at poem, art of writing Chinese characters with a brush, painting, and etc. They were infatuated the poem skills,and their poem recited pain. In the mutual effect between them and writers, the Later Tang Dynasty and Five Dynasties became JIA Dao＇ s era and the era of pain reciting.