期刊文献+

论现代青花山水瓷绘与中国水墨画的相似处 被引量:8

ARGUE THE SIMILARITY BETWEEN THE MODERN BLUE AND WHITE SCENERY AND THE CHINAESE INK AND WATER PAINTING
下载PDF
导出
摘要 青花瓷与水墨画渊源于中国五千年的文明传统,他们均是中华民族心灵的闪光、内气的勃发。中国水墨画以其潇洒的笔法、简括的造型、豁达的人文精神与青花的青白宁静,各自美得有个性,获得了永恒的艺术生命。尽管如此,他们之间有着异曲同工之妙! The blue and white porcelain and the ink and water painting origin in the Chinese five millennium civilized traditions, they are all the mind flash and inner mad thriving of the Chinese nation. Chinese ink and water painting by its natural writing technique, brief and inclusive modelling, open-minded humanities spirit and blue and white by its tranquil ,have embodied their respective individual beauty, and have obtained the eternal artistic life.For all this, between them has wonder the equally good results from different methods!
出处 《中国陶瓷》 CAS CSCD 北大核心 2009年第3期56-59,62,共5页 China Ceramics
关键词 青花山水 水墨画 人文精神 the blue and white landscape, ink and water painting, humane spirit
  • 相关文献

参考文献4

  • 1李林洪.山水提高班(下).石家庄:花山文艺出版社,2004:1.
  • 2徐善.傅抱石谈艺录.郑州:河南美术出版社,1998:23.
  • 3李德仁.绘画艺术两极思维法.美术学论文集.北京:中国大百科全书出版社,2002:93.
  • 4龙瑞.大器丛书龙瑞集.石家庄:河北教育出版社,2004:7.

同被引文献17

引证文献8

二级引证文献11

相关作者

内容加载中请稍等...

相关机构

内容加载中请稍等...

相关主题

内容加载中请稍等...

浏览历史

内容加载中请稍等...
;
使用帮助 返回顶部