摘要
敦煌唐代经变画的兴盛,在空间表现方面形成了人物群像、建筑等综合表现的方法,使唐代的经变画成为全新的中国式的佛教绘画。
Evolved from Buddhist scripture, prevailing in the Tang Dynasty, Dunhuang fresco combined the comprehensive formation of the figures＇ imagery and architectures, which converted the fresco evolved from Buddhist scripture into entirely new Chinese Buddhist painting. Based on the analysis of the fresco , this paper analyzes and demonstrates the spatial development in Dunhuang fresco evolved from Buddhist scripture.
出处
《晋中学院学报》
2009年第1期94-96,共3页
Journal of Jinzhong University
关键词
唐代
敦煌经变画
构成
空间表现
the Tang Dynasty
Dunhuang fresco evolved from Buddhist scripture
composition
spatial development
