接受美学视野下台湾现代诗社对西方纯诗话语的自我诠释

The Self-interpretation of Western Pure Poetry Discourse by Taiwan Modern Poetry Society under the Perspective of Reception Aesthetics

从强调诗歌语言的自身特性出发,纪弦等现代诗社诗人反对诗的语言音乐化,主张"诗"与"歌"的完全分离。首先是字词的口语化的提倡和运用,其次是音步的非规范化提倡和运用,再次是无分行音步的提倡和运用。从他们的理论与创作实践看,他们对西方现代主义纯诗话语的接受出现了较大的偏差。这种偏差产生的原因既与他们接受纯诗话语的现实背景有关,又与中西语言的基本特性有关。

Starting From emphasizing the characteristics of language of poetry itself, the poets of Taiwan Modem Poctry Society such as Ji xian, who are against the musicalisation of the language of poems propose that “poems” and “songs” should be completely disintegrated. They advocate the following three aspects and apply them to composing poems： colloqiualisation of words, non - normalisation of foot and no line division of foot. From these poets＇ theory and practice, their practice deviates greatly from their theory when they receive the pure poetry discourse of Western modemism. The reason for the deviation is closely related to their actual background and different features of Western language and Chinese language as well.