摘要
20世纪80年代以来,随着视觉文化的来临,电影等视觉艺术的表达方式对当代小说产生了巨大的影响和渗透。它们使小说突破传统语言的叙事模式,追求一种视觉化、动态化、模仿化的特点。其具体变化主要体现在几个方面:首先,当代小说叙事出现剧本化的倾向,小说尽力使用视觉造型动作来展现人物。其次,当代小说叙事出现影像化诉求,小说创作追求语言描写的镜头感和画面感。再次,当代小说叙事积极吸收了一些电影化的手法和技巧,作家们也越来越注重对小说色彩和声音的渲染。当代小说中的剧本化倾向、影像化诉求、电影化技巧,毫无疑问适应于当代文化转型、人们的思维变化这些事实,与整个时代和社会思潮的变化有着密不可分的联系。
Since the 1980s, with the spread of vision culture, the expression way of vision art such as movie has made great effects on modern fiction. They make fiction breakthrough traditional narrating pattern, desire for a kind of visualized, dynamic and imitative characteristic. The change include several aspects: firstly, there emerges a play-oriented trend of modern fiction that fiction tries to show characters by visual style; secondly, there is visualization desire in fiction narrative, fiction creation pursuers for a sense of shot and picture in its language. Thirdly, modern fiction narrative positively absorbs some filmic skills and writers pay more and more attention to fiction's color and sound. The paper considers that the play-oriented, visualization desire and filmic skill in modern fiction are undoubtedly suitable to facts such as modern cultural turn and human's thought transformation, and are closely related with the change of whole social thoughts.
出处
《社会科学》
CSSCI
北大核心
2009年第3期179-186,共8页
Journal of Social Sciences
关键词
小说叙事
视觉文化
剧本化
影像化
电影化
Fiction narrative
Vision culture
Play-oriented
Visualization
Fimic