摘要
凹凸画法随着佛教的传播传入龟兹。龟兹画师在接受了印度凹凸画法表现明暗体积的观念后,吸收并结合当地的艺术传统创造出了新的绘画技法—叠晕法。叠晕法的初创地在克孜尔石窟,这种绘画技法不仅影响了龟兹地区的其他石窟和佛寺壁画的绘制,也影响了丝绸之路上龟兹以东地区的佛教的壁画制作。
The embossing technique spread into Kucha ,following the spread of Buddhism. After accepting this kind of concept that represents volume from India, absorbing and combining the local artistic heritage, the local painter created the new painting skill and technique - the color-gradation technique,above all, which appeared in Kizil Grottoes ,the earliest buddhist gottoes of Kucha area. This kind of painting skill and technique has only influenced the grotto frescoes of other Buddhist grottoes and temples of Kucha area, but one of other buddhist sites to the east of Silk Road.
出处
《新疆艺术学院学报》
2009年第1期24-28,共5页
Journal of Xinjiang Arts University
关键词
克孜尔石窟
叠晕法
起源
影响
Kizil Grottoes
Color-gradation technique
Origin
Influence