摘要
李渔在总结前人戏剧经验的基础上,创造性提出"结构第一"的戏剧创作原则。李渔的戏剧结构论,是以戏曲结构的整体性为前提,戏剧创作既遵循"格局",又灵活可变,不受格局束缚的高度统一的美学范畴。
LiYu summed up the dramatic experience on the basis of the older generation and made the principle of dramatic creation--"the structure first". The dramatic structure theory of LiYu is a premise of the dramatic structure as a whole. The dramatic creation is followed both the pattern and changing .It is a unity aesthetic category not to be fettered by pattern.
出处
《新疆艺术学院学报》
2009年第1期79-81,共3页
Journal of Xinjiang Arts University
关键词
李渔戏剧结构
美学范畴
格局
LiYu
Dramatic structure
Aesthetic category
Pattern.