摘要
无论是从深度还是广度来看,当代生态诗歌都是迄今为止最具科学意识的诗歌,是科学与诗融合的典范,创造了科学与诗对话的新空间。这与当代生态诗歌产生的历史条件、科学语境及其生态关怀和创作宗旨直接关联。科学作用于生态诗歌的一个最显著的结果便是审美取向发生了变化,即从传统的审美走向审丑,将传统自然诗所忽视、遮蔽、排斥甚至是"打压"的丑之自然作为其抒写和赞美的对象,实现了对传统自然诗的美学超越。
Contemporary eco-poetry manifests the strongest consciousness of science, be it in depth or width, and it creates a new model and space for the communion of science and poetry. All of this can be ascribed to the historical situation and scientific context, in which eco-poetry forms and grows, and the subsequent ecological concern and purpose of eco- poetry. The most obvious result of the dialogue between science and eco-poetry is the alteration of the aesthetic orientation of the latter. Namely, eco-poetry prefers the anti-aesthetic to the traditional aesthetic, depicting and honoring the " ugly" aspects of nature that are normally neglected, eclipsed, repelled and even suppressed in traditional nature poetry. As a result, eco-poetry transcends traditional nature poetry in an aesthetic way.
出处
《西北师大学报(社会科学版)》
CSSCI
北大核心
2009年第2期29-34,共6页
Journal of Northwest Normal University(Social Sciences)
关键词
科学与诗
生态诗歌
审丑
生态学
science and poetry
eco-poetry
anti-aesthetic
ecology