7Wayne C. Booth. Resurrection of the Implied Author: Why Bother? A Companion to Narrative Theory. Ed. James Phelan , Peter Rabinowitz. Oxford: Blackwell, 2005.
8Dan Shen. "Booth' s The Rhetoric of Fiction and China' s Critical Context. " Narrative 15.2 (2007): 167 - 86.
9Seymour Chatman. Story and Discourse. Ithaca: Cornell UP, 1978.
6Susan Sniader Lanser, The Narrative Act: Point ofViewinProseFiction, Princeton: Princeton University Press, 1981, p. 7 ; p. 246, p. 252 ;p. 252 ;p. 257 ; p. 254 ;pp. 258 - 259 ; p. 259 ;pp. 260 - 261 ;p. 261.
7Susan Sniader Lanser, "Toward a Feminist Narrateiogy," in Feminism: An Anthology, edited by Robyn R Warhol and Diane Price Hemdl, New Brunswick: Rutgers University Press, 1991; Susan Sniader Lanser, Fictions of Authority: Women Writers and Narrative Voice, Ithaca: Cotnell University Press, 1992.
8Kate Chopin, The Awakening, in Tho Norton Anthology of American Literature, yd. 2, New York: Norton, 1979, p. 605.
9Kate Chopin, Kate Chopin's Privale Papers, edited by Emily Toth and Per Seyersted, Bloomington : Indiana University Press, 1998, p. 183.
10Kate. Chopin, A Pair of Silk Stockings and Other Stories. New York: Dover Publications, 1996, p. 7.
