论《喧哗与骚动》的诗性语言特征

The Poetic Features in The Sound and the Fury by William Faulkner

福克纳虽然常常被认为是著名的小说家,但他原本是个诗人。他在舍伍德.安德森的劝说下,放弃了诗歌写作,转向小说创作,然而他从未放弃运用诗歌的创作革新方法进行写作实验。依照语言学家里奇的诗歌变异理论,福克纳在《喧哗与骚动》里主要运用了词汇变异、语音变异、语法变异、书写变异和方言变异等手段来刻画人物形象、揭示人物内心、挖掘主题。福克纳针对处于精神混乱状态的康普生一家巧妙娴熟地把变异的语言加注在他们头上,让他们分别运用适合自己精神状况、身份和命运的语言从不同侧面来言说这个家族(南方的代表)的分崩离析,契合了美国旧南方必然走向没落的主题。

William Faulkner was originally a poet though he is often regarded as up poetic writing and turned to fiction creation under Sherwood Anderson＇s persuasion, a fampus, novelist. He gave however, he has never given up his experimentation with the innovative methods of poetry. Approached through Geoffrey Leech＇s poetic devi- ational theory, such deviations as lexical, phonological, grammatical, graphological and dialectcal are employed by Faulkner to depict the characters, to reveal the characters＇ inner mind and dig out the Fury. Faulkner deftly intended the Campsons in mental disorder with the deviational speak the falling themes in The Sound and the languages, rendering them to apart of the family （the representative of the American South） from various aspects in languages that are suitable for their separate state of mind, identities and fate, which conforms with the theme of the inevitable downfall of the Old South in the United States of America.