摘要
关汉卿创作的元曲中,杂剧和散曲各有侧重:杂剧面对社会生活,散曲面向心灵世界;杂剧以社会价值为主,散曲以审美价值为主;杂剧的创作主旨是惩恶扬善,散曲的创作主旨则是弘扬美质;杂剧以叙事为主,散曲以抒情为主。与此相应,研究散曲就应该以美丑为评判标准,重点透视其审美意蕴和美学价值。关汉卿的散曲注重自然意象的天然美和哲理品味,关注女性形象内外兼美的艺术价值,并注重发掘情感美的理想美质,显示了超凡脱俗的审美追求。
The poetic drama and popular verse written by GUAN Han-qing focus on different aspects： the poetic drama faces social life and popular verse faces the inner world; the former is aimed at the social value, and the latter is aesthetically oriented; the former praises the good and condemns the evil and the latter eulogizes the beauty; the former consists of narratives and the latter is to express emotion. Accordingly, critique of the popular verse should have the differentiation of the beautiful and the ugly as the standard in order to reveal the aesthetic connotation and value. Therefore, this article explores the natural beauty, imagery beauty and emotional beauty of the popular verse, and re-evaluating its aesthetic value. The emphasis on natural beauty and philosophical taste, the focus on the value of the inner and outer beauty of female characters and the revelation of ideal beauty of emotion show his uncommon aesthetic pursuit.
出处
《求是学刊》
CSSCI
北大核心
2009年第2期106-112,共7页
Seeking Truth
关键词
关汉卿
散曲
美学价值
GUAN Han-qing
popular verse
aesthetic value
