飞鸟意象与阮籍的多重人格

Images of the Bird and Ruanji's Multiple Personality

阮籍的《咏怀诗》历来被誉为"旷代绝作",[1](P206)同时也是绝对的难解之作,"百代之下,难以情测"。而飞鸟则是《咏怀诗》中最重要的诗歌意象,它们是阮籍主体人格的诗性外化,各种飞鸟意象体现着阮籍隐晦难测的内心世界。以飞鸟意象为切入点,揭示阮籍儒家济世理想的破灭与道家逍遥追求的虚幻,展示了其内心世界的孤独、失落与痛苦,从而真实地再现阮籍完整的人格形象。

In the history of Chinese ancient poetry, Ruan Ji＇ s Poems from My Heart has been praised ＂one of the most famous works in history＂. His poems are really difficult to interpret as critics said： ＂It is so difficult to perceive his poems＂. Images of the birds are the most important poetry images, and they are poetic externalization of Ruanji＇ s personality. All kinds of images of the bird unfolded Ruanji＇ s obscure inner world. The thesis demonstrated Ruanji＇ s disillusionment about Confucianism ideal and Taoist carefree from images of the bird, and showed his loneliness, loss and suffering, so truly revealed Ruanji＇ s personality profiles.