论中国美学的方法问题

The Issue of Methodologies of Chinese Aesthetics

论文对中国美学形成及研究的方法论问题进行了探讨。首先区分了美学在中国与中国美学的概念;"中国美学"的概念是吸收外国美学理论,由中国人所创立的不同于中国古典美学的一种新的知识类型。"中国美学"问题可以转化为中国美学的方法问题,因为中国美学是在现代研究方法基础上形成的,中国美学的变革就是中国美学研究方法的变革。中国美学方法最主要的有引进法、注经法、科学法、哲学法、流派法等。不同的方法,反映了不同时期对美学研究的不同要求。中国美学应该放弃所谓的十几种引进的方法论,而走向"美的现象"还原本身,从而探索出一条通向"美学"的独特道路,促进21世纪中国美学的发展。

The paper discusses the form of Chinese aesthetics and its research methodology. First of all, the concept is distinguished between aesthetics - in - China and Chinese aesthetics. The conception of ＂ Chinese Aesthetics＂ deprives from foreign aesthetic theories, and a new type differs from classical Chinese aesthetics created by Chinese people. Chinese Aesthetics can be transformed into a methodology of Chinese aesthetics because it is formed on the basis of the Chinese aesthetic modem research methods. As a result, the revolution of Chinese aesthetics equals to the change of research methodology of Chinese aesthetics. The main methods on Chinese aesthetics are introducing, annotation, science, philosophy, schools and etc. Different ways reflect different requirements for aesthetics study on different periods of time. Chinese aesthetics should abandon the introduction of the so - called dozen methodology brought abroad, and go for ＂the phenomenon of beauty＂ to restore itself. After all, the unique path to ＂aesthetics＂ can be approached and we can promote the development of Chinese aesthetics of 21 century.