论黄道周骚体赋

On Huang Daozhou's Fu in the Style of Sao

黄道周的骚体赋,表现了浓郁的屈骚情结。他以个人之力,对屈原二十五篇楚辞作品全面模仿,写下六十二篇仿骚之作,已是一奇。从体制形式上看,黄道周仿骚作品,有模拟有创新,既有鲜明的屈骚风格,又有黄子的创作个性。从情感内容看,黄子的仿骚作品,既代屈原立言,重塑和再现了屈原的光辉形象,又为自我写心,借他人之酒杯浇胸中之块垒,是黄道周自我形象的写照。黄道周把汉代以后的仿骚创作再次推上一个新的高度。屈骚的异代嗣响是黄道周与屈原感情共鸣的结果。

Huang Daozhou＇s 62 Fu written by taking off all the 25 Chu CI indicates his complex showing respect to Qu Yuan.He imitated and innovated,so his Fu had the style of Sao and his own features.In his Fu,he brought back Qu Yuan＇s brilliant image and expressed his own emotion. Huang Daozhou really pushed the parodized writing since the Hart Dynasty to a new stage,echoing hes own feelings with Qu Yuan＇s.