摘要
李斯特的艺术歌曲,在和声材料上,追求新的纵向和弦色彩与组合方式,大胆而富有创造性的扩展了和声语汇,进一步拓展了色彩性和声进行的应用范围。李斯特赋予每种调性以独特的色彩和情调,明显地淡化功能性和声布局而强调非功能的调性发展。
This paper takes Liszt's art songs as the object of study and through analysis and comparison, generalizes the features of harmony employed in those songs from such aspects as harmony material, harmony progression, the mode of tonality development and distribution of tonality.
出处
《合肥师范学院学报》
2009年第2期121-122,共2页
Journal of Hefei Normal University
基金
2008年合肥师范学院教学研究项目(2008JYY002)