摘要
文章对稼轩词的典故人物进行分类研究,指出其中所蕴含的"英雄情结"与"慕陶情结",这两种情结都是其生存状态的反应,后者在某种程度上说是前者的现实转域,两者共同形成了稼轩词的沉郁悲美,并由此得出结论:辛词之用典并非"掉书袋",正是这些典故人物使他的作品达到了一种深沉复杂的艺术境界。
The author studies and classifies the allusion characters in Jiaxuan' s ci, pointing out there are "hero complex" and adini- ration for Tao in them, both of which are the response to their survival, while the latter is to some extent the reality domain of the former. The two form the sad beauty in Jiaxuan' s ci.Thus, the author concludes that Shin's use of allusions is not "out of the bag". It's these allusion characters that make his works reach a deep complicated realm of art.
出处
《上饶师范学院学报》
2009年第1期7-10,共4页
Journal of Shangrao Normal University
关键词
稼轩词
典故人物
英雄情结
慕陶情结
Jiaxuan's Ci
characters of allusion
hero complex
admoration complex for Tao Yuan-ming