摘要
《讲话》是针对延安文艺界的"不正常现象"而发的,这一"不正常现象"显现着"人的文学"在延安的影响。《讲话》精神的实施阻断了"人的文学",建构出"新的人民文艺"。当下"红色经典"的改编显现着"人的文学"和"市民文艺"对"人民文艺"的侵蚀和遮盖,艺术趣味的变迁中体现着历史观的困惑和疑虑。"人民文艺"以社会主义的意识形态为基础,社会主义的历史实践决定"人民文艺"究竟是未能完成的历史建构,还是终将完成的历史建构。
The spirit of The Speech of Literature and Art Symposium in Yah' an interdicted the influence of human literature and constructed new people' s literature and art. Nowadays, recomposed revolutionary classics are displaying the smell of human literature and civil literature and art. The change of art interest shows the puzzle of historical view. The people' s literature and art are based on socialism ideology, and socialism historic practice decide whether people' s literature and art is the completing historic construction at hand or not.
出处
《楚雄师范学院学报》
2009年第2期1-6,12,共7页
Journal of Chuxiong Normal University
关键词
《讲话》
“人的文学”
“人民文艺”
The Speech of Literature and Art Symposium in Yah' an
human literature
people's literature and art